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Fr
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Alissa M. Freilinger














01.12.2023 -

Luiz Tizei, Mathieu Kociak

01.10.2021 - 31.10.2023


01.07.2022 - 31.08.2022

Thomas Juffmann

01.07.2016 - 15.08.2016

Giulio Superti-Furga


Lehrtätigkeit


01.10.2024 – 28.02.2025

    Mikroskopiepraktika (TEM, EDX, STEM, EELS)  

      CentraleSupélec & Université Paris-Saclay, Frankreich    
      Ich lehre praktische Elektronenmikroskopie an CentraleSupélec und am LPS für Studierende der Masterstudiengänge Chemie, Materialwissenschaften sowie Quantum, Light, Materials and Nano Sciences.    


Publikationen


05.11.2025

    Single-photon-emitters in hBN: Limitations of atomic-resolution imaging and potential sources of error  

Koautorinnenschaft
      Universität Wien, Österreich & Université Paris-Saclay, Frankreich    
      arXiv:2511.03674    


Teilnahmen an Konferenzen und Schools


29.–31.10.2025 — Castelldefels, Spanien EBSN25 Electron Beam Spectroscopy for Nanophotonics 31.08.–04.09.2025 — Karlsruhe, Deutschland MC25 Microscopy Conference Karlsruhe 30.06.–04.07.2025 — Toulouse, Frankreich Colloque SFµ Société Française de Microscopie 03.–04.05.2025 — Amsterdam, Niederlande eBEAM Workshop 2025 09.–11.04.2025 — Glasgow, Schottland CLEBIC2025 – 3rd Workshop on Semiconductor Cathodoluminescence and Electron Beam Induced Current 01.–13.09.2024 — Aussois, Frankreich eBEAM school on nanooptics with free electrons 2024 02.–04.07.2024 — Toulouse, Frankreich JEELS Journées d’EELS 04.–07.03.2024 — Göttingen, Deutschland eBeam workshop 2024 23.–27.10.2024 — Orsay, Frankreich Paris-Saclay plasmonics school 11.–13.10.2024 — Anvers, Belgien EBSN23 Electron Beam Spectroscopy for Nanophotonics 11.–15.09.2023 — Busan, Südkorea IMC – 20th International Microscopy Congress 22.–26.05.2023 — online ePSIC Hyperspy workshop 13.–14.04.2023 — Vienne, Österreich ASEM (Austrian Society for Electron Microscopy) workshop

Studium


01.10.2021 - 31.10.2023

M.Sc.-Studium in Physik an der Universität Wien

01.10.2017 - 17.08.2021

B.Sc.-Studium in Physik an der Universität Wien

Alissa Freilinger

 


Phenomenotechnical artist 



My artistic practice is nourished by a fascination with physical phenomena—both those meticulously generated through intricate experimental setups and those arising unbidden through the fortuitous interplay of materials and conditions in the quiet choreography of the everyday.



Since 2020, I study Transmedia Art in the class of Brigitte Kowanz and now Jakob Lena Knebl at the University of Applied Arts Vienna (Angewandte Wien)

Theoretical discourses around concepts such as phenomenon and phénoménotechnique, along with a fascination for science as a profoundly human cultural practice, shape the foundations of my work.
Daily immersion in experimental physics—where I study fragile and capricious phenomena, tediously lured into existence through elaborate instruments and meticulously refined protocols—renders these themes ever-present in my reflections.

My perception is attuned to the subtle: fine details spring to my eyes; I tend to grasp the particular before the general, and I often pick up on odd or unusual phenomena in mundane situations.
In my artistic research, I’m drawn to details and phenomena that escape ordinary perception—occurrences that emerge from everyday materials and fortuitous situations. A more recent line of inquiry focuses on manufactured phenomena using traditional painting materials such as acrylic, water, and light.

Observation and experimentation are my primary tools, taking shape in the form of photographic and video works, as well as installations and performances.
Often, one work builds upon another; I enjoy revisiting earlier projects to deepen my exploration and approach concepts from new perspectives.



selected works:
experiments with acrylic color and light
experiment with a projection microscope and acrylic paint petween two glass slides
experiment with halogen lamp in acrylic coloured water
incidental observation: fluid dynamical phenomenon
pointless analysis of incidental observation
Sfumato - construction of a landscape based on the optical properties of crinkled cellophane and polyethylene foil
baffled epigraphy - oder das Rätsel der spitzen Dreiecke
(re)search for sharing details (Detailsuche in der Klasse für Transmediale Kunst)
detail-observing objects (Detailbetrachtende Objekte)
self-observing objects (Selbstbetrachtende Objekte)
human landscapes
athmospheric strata